» MIDI implementation with MIDI channel and Voice Priority selection » Stereo outputs featuring servo-balanced output stages » External audio input for processing outside sound sources » 84 controls give you direct and real-time access to all important parameters » Precision 0.1% Thin Film resistors and Polyphenyline Sulphide capacitors » Dedicated and fully analog triangle/square wave LFO » Voltage controlled 32-step sequencer with 64 sequence locations » Stereo chorus based on authentic circuitry » 37 semi-weighted full-size keys featuring velocity » Classic 24 dB ladder filter with resonance » Five variable oscillator shapes with variable pulse widths for ultimate sounds » Pure analog signal path based on authentic VCO, VCF and VCA designs » Authentic reproduction of original “D Type” circuitry with matched transistors and JFETs » 4-Voice polyphonic/paraphonic design with mono, unison and polyphonic mode » Analog synthesizer with quadruple VCO design Unison Mode thickens up your sound by layering all of the POLY D’s voices on top of each other, adding more harmonic content and creating a richer sound. Flipping the switch to Poly allows you to play more than one note at the same time to produce stunning chord harmonies and luscious pads that add soul and depth to your music. With the POLY D set to Mono, you can have the characteristics of a classic monophonic synth with fuller, more expressive solos, bass lines and portamentos. With the POLY D, you can get the best of three worlds by switching between monophonic, polyphonic or unison modes.
In other words, Behringer has taken the architecture of their Model D, a recreation of the famed Moog Minimoog, and quadrupled it to create a 4-voice instrument with a 37-note keyboard. Behringer has taken care to design the POLY D to be the true to the original D Type circuitry with its matched transistors and JFETs, precision 0.1% thin film resistors and polyphenylene sulphide capacitors.
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